![]() ![]() Stars: Christos Stergioglou, Michele Valley, Aggeliki Papoulia Once their kiss is done, Refn switches the tone without hesitation Gosling rams the guy's head into the wall, flings him to the ground, and stomps his head into a pile of skin chunks, skull shards, and brain. He's a hit-man sent to kill The Driver, and Sir Drive knows it-his lip-lock with Irene is actually a goodbye kiss, one last tender exchange before The Driver goes to war against criminal mastermind Bernie Rose (Albert Brooks). Throughout the film, Ryan Gosling's nameless character, simply known as The Driver, develops a loving bond with his pixie-cute neighbor, Irene (Carey Mulligan), and their passionate smooch in the elevator is the culmination of endless, silent flirtations.īut keep an eye on the dude who's cock-blocking Gosling from getting some love in an elevator, a la Aerosmith. Stars: Ryan Gosling, Carey Mulligan, Bryan Cranstonĭrive, the best film of 2011, delivers its most memorable deathblow rather sweetly. It's hard to watch because it's ridiculous (in a bad way), and it's hard to watch because it hurts what is otherwise one of Spielberg's most complex and challenging films. It's too silly to work, which makes this an especially difficult hard-to-watch scene. Cutting back and forth between the final moments of those attacks-the violence at the airport-and Bana's moist mane shaking and tossing as he writhes atop his wife is meant to suggest something about the high cost of living, the price Avner has paid and the lasting damage of the attacks. Nothing in Steven Spielberg's filmography suggests that the man knows his way around a sex scene, and the dripping, climactic boning in Munich confirms this.Įric Bana's character Avner has aggressive sex with his wife upon his return to America after years of hunting the terrorists responsible for the attacks at the Munich Olympics. ![]() Stars: Eric Bana, Daniel Craig, Ciarán Hind, Mathieu Kassovitz Consider this the all-encompassing cousin of our collection of traumatic dog death scenes, and see which of these are streaming on Netflix right now (if you have a strong enough stomach). They range from the disgusting to the disturbing to the downright despicable. Whatever the case, they don’t get much more aggressive than what’s seen in the 53 most hard-to-watch scenes in movie history. It can be a scene marked by such intense violence that it’s nauseating, a conversation so uncomfortable you can’t handle the second-hand embarrassment, or some other heinous exhibitions of mankind’s darkest impulses. It’s those moments in a movie where people either cover their eyes, peek through open fingers to catch a cautious glimpse, or stare at the screen in disbelief, as if a freight train is barreling toward them and they’re frozen in fear. They want to push the envelope so far that their viewers aren’t even sure if they’ll continue watching. Then there are those directors who don’t care about that agreement. They want to leave marks. There may be some laughs, some jolts, and possibly a tear or two, but nothing that will leave any permanent scars. There’s an unspoken agreement between moviegoers and filmmakers who make safe, mainstream fare: if the former gives the latter’s work a look, the latter won’t do anything to disrupt the viewer’s emotions beyond what’s usually called for. ![]()
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